Docufictions: Essays on the Intersection of Documentary.
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It has been used as an unchallenged premise for numerous essays on the topic of imported television influence, despite the fact that the assumption of strong cultural influence is not necessarily reflected in the body of research that exists within this field of study. In The Impact of International Television: A Paradigm Shift, editor Michael G. Elasmar and his contributors challenge the.
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Jack Webb had a supporting role in the movie and struck up a friendship with the LAPD consultant, Sergeant Marty Wynn. The film and his relationship with Wynn inspired Webb to create what became one of the most famous docudramas in history: Dragnet. The influence of New Journalism tended to create a license for authors to treat with literary techniques material that might in an earlier age.
In film, television programming and staged theatre, docudrama is a documentary-style genre that features dramatized re-enactments of actual historical events. As a neologism, the term is often confused with docufiction. Contrary to docufiction, which basically is documentary, filmed in real time, “reality” in docudrama is filmed at a time ulterior to the events it portrays.
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In Feasting Our Eyes: Food Films and Cultural Identity in the United States, Laura Lindenfeld and Fabio Parasecoli offer a comprehensive study of food films. They frame their discussion around multiple themes that connect food films to identity formation in the United States including race, ethnicity, gender, and sexuality. It is an essential read for all interested in the intersections of.